Snøhetta is a transdisciplinary, dialogue-driven practice including architecture, landscape architecture, interior architecture, art, product design, graphic and digital design, often integrating a combination of interests across projects. Representing different societies and cultures, Snøhetta has more than 350 employees from 40 nations across nine regional studios spanning from Oslo to New York and San Francisco to Innsbruck, Paris, Adelaide, Melbourne, Hong Kong, and Shenzhen.
Snøhetta shares the name with a beautiful, remote, and historically important mountain in central Norway. Snøhetta is a place nobody is from, but anyone can experience. Creating places for societies to connect with each other and with the world around them is a primary motivation in Snøhetta's work. Dialogue and diversity empower this approach.
Snøhetta has realized many internationally acclaimed works around the globe since 1989, including Bibliotheca Alexandrina (Alexandria, 1989-2001), Norwegian National Opera and Ballet (Oslo, 2000-2008), Viewpoint Snøhetta (Hjerkinn, 2009-2011), The National September 11 Memorial Museum Pavilion (New York City, 2004-2014), San Francisco Museum of Modern Art (San Francisco, 2010-2016), Lascaux IV (Montignac-Lascaux, 2012-2016), Times Square (New York City, 2010-2017), Under (Lindesnes, 2016-2019), Trælvikosen (Brønnøysund, 2018-2022), Beijing Library (Beijing, 2018-2023), Vertikal Nydalen (Oslo, 2015-2024), Čoarvemátta (Kautokeino/Guovdageaidnu, 2020-2024), Busan Opera House (Busan, 2012-2025), Shanghai Grand Opera House (Shanghai, 2017-2025), Shibuya Upper West Project (Tokyo, 2022-2027) and among others.